A teenage girl’s new camcorder allows her to document the mental deterioration of her father and the social disintegration of their family home, when secrets, lies, and financial pressures begin to take their toll, in Rotheroe’s painfully credible, rightly horrific, and quite remarkable second feature, which easily manages to transcend its slightly hackneyed form. Iain.Stott
Thursday, 31 December 2009
Subscribe to:
Post Comments (Atom)
0 comments:
Post a Comment