Generally considered one of the greats of Chinese cinema, this intimate chamber piece – adapted from the same source story as Tian Zhuangzhuang’s sublime Springtime in a Small Town (2002), delicately depicting a ménage-a-trois against the backdrop of an isolated, crumbling, post-war, middle-class household – lacks the lyrical beauty of its successor, and at times is a little staid, but is, never the less, affecting. Iain.Stott
Friday, 9 October 2009
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