Understated and unpredictable, Mamet’s Bressonian directorial debut – a thriller of sorts, in which Crouse’s icy psychiatrist finds herself seduced into a world of gamblers and confidence tricksters when she attempts to aid a suicidal patient of hers, a compulsive gambler, who owes a great deal of money at the eponymous gambling establishment – proves to be an intriguing work of great intensity and searing psychological enquiry. Iain.Stott
Tuesday, 13 October 2009
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